To record an acoustic guitar there are many ways to setup microphones depending on what tone we want. The most simple way to record an acoustic guitar is to get a either a condenser with a wide diaphragm or just a dynamic microphone like a Shure sm57 will work aswell. and place it about 8-14 inches away from the 12th fret on the acoustic, this will get you a nice mix of tones from different parts of the acoustic without much effort. If you move the microphone closer to the bridge of the guitar you get a brighter noise with more midrange and a darker noise the further you move up away from the bridge. Placing the microphone closer to the guitar or directly in front of the resonating hole it will give more bass. You can also use two microphones to record an acoustic guitar for a wider sound range. For this method it's better to use two condenser microphones with smaller diaphragms. You want to cross them like an X so one is facing around about the 12th fret and one is facing 90 degrees the other way towards the body. This method allows you to capture the top end from the neck of the guitar while still getting the midrange and resonance from the body of the acoustic guitar.

There are two ways to record a bass guitar, the first method is by utilising a D.I box, the process is simple just plug the bass into the box then plug an XLR cable into the opposite side. Finally just plug the other end of the XLR cable into an audio interface. This is easiest way to record bass. The second method is miking up a bass amp. This process is very similar to that of recording an electric guitar, For the type of microphone What's best is either a non-vocal dynamic microphone or even better a kickdrum/bass microphone. Then place the microphone pointing at the cab around six to twelve inches away. For the most bass placet he microphone dead centre of the cab. Then just plug in your microphone with an XLR cable.

Sources-

https://www.soundonsound.com/techniques/recording-bass-guitar

https://mixelite.com/blog/recording-bass-guitar/

Recording an acoustic drumkit requires a lot more microphones than other instruments because of the different types of drums. (kick snare toms etc.) and cymbals (high-hat, crash, ride etc.) because of this recording drums is a large undertaking. The main types of microphones used for recording a drumkit consists of dynamic, condenser and sometimes a purpose built kickdrum mic. In a usual drumkit recording setup you use 1-2 overhead microphones places above the kit. The purpose of this is to capture the whole sound of the drumkit. The best microphone type to be used for this is wide diaphragm cardioid condenser mics. When miking up overheards it is absolutely essential that you ensure that both microphones are equal distances from the kit to avoid as much phasing as possible. It is also essential to remember the positions of the cymbals in relation to the overhead microphones because cymbals resonate upward. This means that if your overheads are above your cymbals it is going to be almost 100% of what you hear through them. For miking up a kickdrum its best to use a purpose build kick drum mic or a moving coil mic. Using a condenser is not ideal because of the stress the loud kickdrum sound puts on the microphone. As for positioning face the mic toward the kickdrum and off-center, if the kickdrum case has a hole for the mic to go into even better. Placing the kick drum mic closer to the centre gives a bassier sound so which position you place the microphone in is a matter of personal preference. You can also utilise two microphones for the kickdrum, by placing one outside the kickdrum and one inside the kickdrum pointing towards the centre of the back panel of the kickdrum. For the snare drum either a dynamic or condenser microphone can be used. Position wise for the top snare point the microphone towards the centre edge of the snare more at a angle close to the edge of the snare, this is to make sure that the drummer won't accidentally hit the mic. This positioning also allows for the best capturing of overtones. For the bottom snare the same type of microphone is used as the top snare, angle the microphone upwards towards the centre of the bottom sheet of the snare. It's very important if you are using two snare mics to reverse the phase on one of them to reduce overall phasing in the mix. It also helps to make sure both microphones are equal distance from the snare as this also helps reduce phasing. For all of the tom drums the process is the same as miking the top snare. It's best to use a dynamic microphone for these aswell. However sometimes it's not necessary to close mic all of the toms. This could be depending on what genre you want to play or if the songs you're playing includes all of the toms. The reason you don't want unecessary microphones is because it causes more bleed which makes it much more difficult to really fine tune the sound of the kit when it comes to mixing. In almost all cases you do not mic any of the cymbals however if you choose to you can mic up the high-hat. It's best to use a condenser microphone for this because it picks up all the high end frequencies better then something like a dynamic microphone can. You can place the microphone horizontally facing the highhat on the side away from the snare or you can place it above hanging down pointing at the top of the highhat about 10-15cm away.

https://youtu.be/ObDMKuromg8?si=W_47mv6v7b_AiD6P

https://youtu.be/n5p_WuRLmFc?si=y03PL6LzTP4Jye4h